University of Miami International and Comparative Law Review
Abstract
This note explores the intricate interplay between cultural heritage preservation and copyright protection, focusing on the distinctive case of Eastern European folk music. It delves into the historical and cultural significance of Eastern European folk music traditions, the challenges posed to their preservation, and the copyright protection mechanisms in place across the region. In parallel, the paper provides an in-depth analysis of copyright protection in the United States, highlighting its implications for folk music.
The comparative analysis showcases the unique approaches of Eastern European nations and the United States in safeguarding their respective folk music heritages. By examining key case studies, this study uncovers the successes, limitations, and practical implications of the copyright protection strategies employed in both regions.
Furthermore, the note examines the role of international copyright agreements in shaping heritage preservation and explores the effects of copyright protection on cultural exchange and globalization. Through a thorough examination of the legal frameworks, case studies, and current challenges, this student note aims to provide valuable insights into the complex relationship between copyright and cultural heritage preservation, offering recommendations for the future direction of these efforts.
Recommended Citation
Kostika Kosova,
How Eastern Europe Can Protect Their Cultural Heritage via Copyright Protection of Folk Music and How This Compares to Copyright Protection of Music in the United States,
32 U. MIA Int’l & Comp. L. Rev.
111
(2024)
Available at:
https://repository.law.miami.edu/umiclr/vol32/iss1/6
Included in
Comparative and Foreign Law Commons, Cultural Heritage Law Commons, Intellectual Property Law Commons